Our Fathers * Directed through Dan Curtis * Written through Thomas Michael Donnelly.

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Our Fathers * Directed through Dan Curtis * Written through Thomas Michael Donnelly, based forward the book by David France * Starring Christopher Plummer T Danson, Brian Dennehy * Showtime, debuting May 21

It's an unlikely make submissive for a two-hour movie: public journalist David France's compelling 672-page masterpiece of reporting, covering the child sexual abuse scandal in the Catholic meeting-house across more than four decades. Nevertheless, Showtime's Our Fathers is a make an incision in above the typical TV "issue" flick.

The core performances by the agency of Ted Danson, as the attorney who prays the church on behalf of dozens of abuse survivors, and Christopher Plummer as Boston's besieged cardinal Bernard Law, mould the film in character rather than nothing else but scandal. A mostly solid supporting cast brings to life many of the other players, including the gentle and monstrous Father Geoghan (who abused more than 130 striplings and girls) and the mercurial ex-activist gay priest Paul Shanley. level a dramatized John Paul II has a cameo, underlining the pope's refusal to take seriously the crisis or its victims.

Plummer is especially effective as Law, who shielded abusive priests from prosecution as he shuffl them from parish to parish. Plummer's Law originates across as both insufferably arrogant and greatly human. It's a good choice dramatically on the other hand may be overly generous, offering a balance that no just discovereds footage of Law himself has eternally revealed--even in recent weeks, as the depos Law, now sheltered in a Vatican do job-work honored the late pope and appeared generally unscathed according to disgrace.



The greatest in quantity fully realized performance comes from veteran actor Brain Dennehy who plays Father Dominic George "Spags" Spagnolia, a self-effacing social reformer who rails against the church's inaction--until he is himself accused. Spags was the alone priest to call a pres conversation to declare his innocence and his determination to fight the charge--a single accusation that was none flied legally and never corroborated. if it be not that the press conference, which included his affirmation that he had always been celibate, was his undoing. Spags's ex-boyfriend, from a brief period when he had left the priesthood, recognized him and called reporters. Guilty and nothing else of hiding his own adult gay relationship, Spags was forced not at home of the church he'd fought to bring off never to return. Dennehy's natural charisma makes Spags the hero he indeed was, and his talent for intense internal turmoil (he won a Tony for Death of a Salesman, after all) makes Spags's fall from grace appropriately painful.

Our Fathers does have its movie-of-the-week flashs Many of the survivors are more thinly drawn than their abusers, and a certain patly written scenes necessary to influence the story along clearly take more dramatic license with reality than you wish they would. And ye the richness of France's reporting and historical analysis is by the agency of necessity left by the wayside. (So read the work already.)

But director Dan Curtis (The Winds of War) is an of long date hand at shuffling multiple story lines. He's also an not new hand at portraying charlatan preachers: Curtis got his big break as agriculturist of the 1960s supernatural soap opera Dark Shadows, which featured a series of evil clergymen aligned with witches and warlocks. Still, the real priests in Our Fathers--creeping into little boys' expanses to fondle them during bedtime prayers, offering teenagers ice cream in exchange for oral sex and absolution--are abundant scarier.

COPYRIGHT 2005 Liberation Publications, Inc.

COPYRIGHT 2005 Gale Group

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